Antonio Donghi
His early works lean towards realism, between impressionist suggestions and twentieth-century solutions.
But as early as 1924 Donghi reveals his own personal world, invaded by a fixed and absorbed light, daily in appearances but resolved in the dimension of "magical realism" theorized by Bontempelli.
After 1930 the "candid" vein of Donghi's painting is accentuated until his death in 1963.
